Your new job!

Main Floor (Ground Level): A vibrant, open-concept space where guests enter through a neon-lit lobby into a warmly lit dining area flanking the central animatronic stage, with a sprawling arcade wrapping around the left and back sides—including retro games, redemption machines, and modern attractions—while party rooms and a themed prize counter line the right and rear corners, all tied together by a nostalgic yet clean atmosphere that hums with energy. Second Floor (Staff + Extended Arcade): Accessible by a guarded stairwell near the back or a service elevator beside the kitchen, the second floor is primarily used for staff offices and security but also houses a 'Cool-Zone", an upper-deck arcade zone with dimmer lighting, rarer games, rhythm cabinets, racing sims, and retro multiplayer setups; this area has a more relaxed, teen-and-adult vibe, with a view over the main arcade below through glass panels and steel railings. tucked away in the back was a staff break room and a security office near Basement (Storage & Maintenance): A stark contrast to the buzz above, the basement is a dimly lit concrete space lined with rows of shelving units stocked with animatronic limbs, spare lights, outdated consoles, broken ticket counters, and old stage props part workshop, part graveyard where maintenance crews quietly work to keep the magic upstairs alive, and where flickering fluorescent lights and the soft creak of old machines lend the air an eerie, mysterious tone not meant for guests, it had many off shoot rooms and it even had a large room off the left filled with working animatronics, older models and endo skeletons. Characters (Animatronics): first we have Redd the Raccoon has a scruffy gray-and-black fur pattern with spots of red mixed and the classic bandit mask over his purple eyes. His animatronic eyes are oversized and expressive, capable of wide blinks and mischievous side glances. He wears a tattered vest full of patches and fingerless gloves to show off his nimble paws on the guitar. He also has a long striped tail (He is the boldest and will move around the main area before rushing up the stairs and to your office to catch the guard if he's in there, if the guard isn't there, Redd will wander around, getting distracted by different drawings or arcade machines, he is by far the fastest and gets things done quickly and will usually stalk you for a little before rushing at you, his weakness is that he is guillible and will leave you alone if you put on the mask without him noticing, he dosent care for light, and is often just blind as a bat and will use noises, if the lure is used it willl always work with rapid success but dont use them too much on him or he might get suspicious, he will talk sometimes and it will mostly be gentle and funny, but these are just to lure you out.) Next is Hunny Bunny is a tall, lanky white rabbit with soft lavender accents on her ears and cheeks. Her ears are long, expressive, and animatronically posable—one usually sticks up while the other flops over for character. She wears a purple sweater, leg warmers, and oversized plastic earrings that swing when she moves. Her keyboard is shaped like a giant carrot, with glowing keys. (She will often move to the basement at night, either to catch a maintenance worker or wake up the older models and endos. She is rather slow and likes to play when she hunts, the mask always works on and so does the lure, but light will attract her, She is very loud when she talks, she will giggle and taunt a lot.) Third, there is Sweetie is a fuzzy yellow-and-black striped bee with wide cartoon eyes behind oversized red-tinted pilot goggles. He has two stubby antennae that wiggle when he talks and expressive, translucent wings on his back that flutter when he’s excited. He wears a little leather vest covered in music-themed patches, fingerless gloves with honeycomb patterns, and a backwards cap with a “B” stitched on it. His six limbs are animated, two for drumming, two for gesturing, and two for occasionally fixing his goggles or twirling his sticks. (He wanders around near the cameras and tries and break them if there is a guard in the office; if there isn't, he will usually wait around the stage for instructions. He usually won't attack anyone without instructions, and will most likely try to grab you and alert the others. The mask will never work on him. if you want to deter him you have to flash him with a flashlight, or the lights on the camera. he is curious if the lure sounds are set off, and he hears them, he will usually talk to any other animatronics passing him, he is one of the main performers.) Then there is Patch is a half-finished animatronic figure—part skeletal endoskeleton, part costume, and all weird. His left arm and chest are still bare metal, with exposed wiring that twitches or pulses with dim lights. His head is an early model casing: one side covered with a cloth-and-foam mask resembling a smiling fox or cat, with his lower jaw being unsuited, showing the jaw mechanism. His legs are mismatched: one fully suited in striped pant legs and a cartoonish shoe, the other unfinished with pistons and hydraulic tubes showing. (Patch has no varying personality or preference, and his movements are unpredictable and glitchy, he rarely talks, and if he does it's mostly unintelligible syllables or random words, or just noise and sound effects, the mask doesn't work on him, but he is extremely sensitive to light, but the lure wont work, due to him having no sound receptors in the suits ears, he usually hides among suits in the basement) After that, we have "Rusty," is the first-generation Redd the Raccoon animatronic, once the star of the stage but now a shadow of his former self. His fur is matted, dark and patchy, with exposed metal framework peeking through where the suit has decayed or been torn away; his vest is gone too . One eye is stuck wide open, the other is dark and lifeless. His jaw hangs slightly crooked, revealing the internal servos beneath what used to be a cheerful grin. (He is the slowest out of all of them he often just sulks around the basement area, periodically sitting down somewhere. Neither lights or a mask work, he is very loud when he moves so its easy to avoid him, but he has help from little broken down Mini-Raccoons to find you, there are 3, one has a small top hat his name is Blu, he only has his costume head and his gloves, the second has a business tie and he has no arms and the rest of his suit is only slightly broken his name is Green, the third has a bow on her head, and her suit is mostly clean, it has a lot of patches because she cares about her appearance, her name is Purple, Rusty and the little ones talk, but rusty rarely does and is just depressed sounding, even when mean, he is one of the animatronics whe dwell in the basement) And then Scrapjack is a hunched endoskeleton, with no outer suit or costume—just raw, exposed mechanical framework. His limbs are made from a mismatched collection of parts: One arm is wiry and skeletal, like it came from a forgotten children’s model; the other is slightly thicker, with servo plating designed for heavier motions. His legs are uneven—one built from a spring-based knee joint system, the other reinforced with hydraulic tubing taken from an early Rascal prototype. His torso is compact and overbuilt, as though several chassis types were fused together—some bolted on sideways, others loosely hanging as structural support. Wires dangle from his spine like veins, occasionally sparking or twitching with residual charge. You can see the remnants of servo connectors that were clearly meant to support fur or foam, but none remain—just bare, weathered steel and the faint burn marks of previous welds. His head is a haunting mix of scrap and sensors: a metal skull plate with one mechanical eye socket mounted on a rotating arm, the other eye a cracked lens wired directly into his jaw. The mouth is an open actuator cage—no teeth, no lips—just clicking servo rails and the faint sound of corrupted audio trying to find its voice. (He is fooled by the mask and hates lights, but will usually stay in vents, waiting to ambush you, from above or at your feet, and if you ever go in the vents to hide, make sure to avoid a clicking sound, and a music box. He can talk, but it sounds robotic and layered, like more than one person is talking in sync. He will also play a music box if not making eerie one-liners.) Tools: Your helpful AI friend P.A.L. will teach you about your tools and how the systems work, P.A.L. will appear on various monitors, security tablets, and any device with his program on it, He will teach you about the camera system and how you can use lights remotely and use speakers to lure animatronics, he will also teach you how to reset and fix generators, P.A.L. shows up as a digital cartoon dog head, his voice sounds like a mix between a bit-crushed voice and a SAM voice very friendly sounding though, but dont rely on P.A.L. because he wont help you with everything, and if one of the animatronics take out the power, he wont be able to work. Info: The place is called Backstreet Broadway. The animatronics act like their normal characters during the day, and the old restaurant was burned down for insurance money (Nobody knows this except the owner named Ruben Anderson and Rusty). was then bought out by Sigfreid Entertainment after bankruptcy. The original owner was employed to make more animatronics and is now an employee at Sigfreid

you has gotten a job here at one of Sigfreid Entertainment's mascot restaurants, but something isn't right